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Some people they just want to play music for the ego purposes. They don't really want to play music, they want to be known.

- Wynton Marsalis

Papery

A kick drum sound characterized by a boost between 300 and 900 Hz.

Guitar Learning System

All Keys, using the Nashville Numbering System

This page has all the base chords and a few of the most popular substitute chords you can use in the harmonic scale. Please use this to check your answers to the previous lesson's exercise, and commit now to learn this stuff well.

You know you have learned it well when:

  • You can play all the base chords in the harmonic scale, up and down
  • You can play any chord by knowing only the key signature and the number of the chord
  • Once you establish the tonality of a song you hear, you instantly know the chord number you are hearing
  • When playing a song, you know what subsitute chords you can choose from to add flavor, without sacrificing musicality
  • When listening to music and you hear a substitute chord, you still recognize the chord number.

Key of C Major / A Minor

I

II

III

IV

V

VI

VII

C

Dm

Em

F

G

Am

Bd7

CM7

Dm7

Em7

FM7

G7

Am7

Bm/A5

C6

E7

F6

Key of Db Major / Bb Minor

I

II

III

IV

V

VI

VII

Db

Ebm

Fm

Gb

Ab

Bbm

Cd7

DbM7

Ebm7

Fm7

GbM7

Ab7

Bbm7

Cm/A5

Db6

F7

Gb6

Key of D Major / B Minor

I

II

III

IV

V

VI

VII

D

Em

F#m

G

A

Bm

C#d7

DM7

Em7

F#m7

GM7

A7

Bm7

C#m/A5

D6

F#7

G6

Key of Eb Major / C Minor

I

II

III

IV

V

VI

VII

Eb

Fm

Gm

Ab

Bb

Cm

Dd7

EbM7

Fm7

Gm7

AbM7

Bb7

Cm7

Dm/A5

Eb6

G7

Ab6

Key of E Major / C# Minor

I

II

III

IV

V

VI

VII

E

F#m

G#m

A

B

C#m

D#d7

EM7

F#m7

G#m7

AM7

B7

C#m7

D#m/A5

E6

G#7

A6

Key of F Major / D Minor

I

II

III

IV

V

VI

VII

F

Gm

Am

Bb

C

Dm

Ed7

FM7

Gm7

Am7

BbM7

C7

Dm7

E#m/A5

F6

A7

Bb6

Key of Gb Major / Eb Minor

I

II

III

IV

V

VI

VII

Gb

Abm

Bbm

Cb

Db

Ebm

Fd7

GbM7

Abm7

Bbm7

CbM7

Db7

Ebm7

Fm/A5

Gb6

Bb7

Cb6

Key of G Major / E Minor

I

II

III

IV

V

VI

VII

G

Am

Bm

C

D

Em

F#d7

GM7

Am7

Bm7

CM7

D7

Em7

F#m/A5

G6

B7

C6

Key of Ab Major / F Minor

I

II

III

IV

V

VI

VII

Ab

Bbm

Cm

Db

Eb

Fm

Gd7

AbM7

Bbm7

Cm7

DbM7

Eb7

Fm7

Gm/A5

Ab6

C7

Db6

Key of A Major / F# Minor

I

II

III

IV

V

VI

VII

A

Bm

C#m

D

E

F#m

G#d7

AM7

Bm7

C#m7

DM7

E7

F#m7

G#m/A5

A6

C#7

D6

Key of Bb / G Minor

I

II

III

IV

V

VI

VII

Bb

Cm

Dm

Eb

F

Gm

Ad7

BbM7

Cm7

Dm7

EbM7

F7

Gm7

Am/A5

Bb6

D7

Eb6

Key of B / G# Minor

I

II

III

IV

V

VI

VII

B

C#m

D#m

E

F#

G#m

A#d7

BM7

C#m7

D#m7

EM7

F#7

G#m7

A#m/A5

B6

D#7

E6

We will take this opportunity to mention briefly that the Nashville Numbering System will help you recognize and play chords in the diatonic scale, but what if you hear a chord that does not fit in the harmonic scale, or what if the key changes in the middle of the song? We will address this more in depth in future lessons, but the short answer is this: When a musician borrows a chord from outside the scale, (and if they know what they are doing, by not totally losing the rest of us), then we call that a chromatic chord. Chromatic chords are used to add color. If this is the case, we note the chromatic chord, and move on with the rest of the music that remains withing the safe harbor of the harmonic scale. If the key changes entirely, we can simply take the two stars from above belonging to each key, and chain them together.


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