All Keys, using the Nashville Numbering System
This page has all the base chords and a few of the most popular substitute chords you can use in the harmonic scale.
Please use this to check your answers to the previous lesson's exercise, and commit now to learn this stuff well.
You know you have learned it well when:
- You can play all the base chords in the harmonic scale, up and down
- You can play any chord by knowing only the key signature and the number of the chord
- Once you establish the tonality of a song you hear, you instantly know the chord number you are hearing
- When playing a song, you know what subsitute chords you can choose from to add flavor, without sacrificing
musicality
- When listening to music and you hear a substitute chord, you still recognize the chord number.
Key of C Major / A Minor
 |
C |
Dm |
Em |
F |
G |
Am |
Bd7 |
CM7 |
Dm7 |
Em7 |
FM7 |
G7 |
Am7 |
Bm/A5 |
C6 |
|
E7 |
F6 |
|
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Key of Db Major / Bb Minor
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Db |
Ebm |
Fm |
Gb |
Ab |
Bbm |
Cd7 |
DbM7 |
Ebm7 |
Fm7 |
GbM7 |
Ab7 |
Bbm7 |
Cm/A5 |
Db6 |
|
F7 |
Gb6 |
|
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Key of D Major / B Minor
 |
D |
Em |
F#m |
G |
A |
Bm |
C#d7 |
DM7 |
Em7 |
F#m7 |
GM7 |
A7 |
Bm7 |
C#m/A5 |
D6 |
|
F#7 |
G6 |
|
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Key of Eb Major / C Minor
 |
Eb |
Fm |
Gm |
Ab |
Bb |
Cm |
Dd7 |
EbM7 |
Fm7 |
Gm7 |
AbM7 |
Bb7 |
Cm7 |
Dm/A5 |
Eb6 |
|
G7 |
Ab6 |
|
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|
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Key of E Major / C# Minor
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E |
F#m |
G#m |
A |
B |
C#m |
D#d7 |
EM7 |
F#m7 |
G#m7 |
AM7 |
B7 |
C#m7 |
D#m/A5 |
E6 |
|
G#7 |
A6 |
|
|
|
 |
Key of F Major / D Minor
 |
F |
Gm |
Am |
Bb |
C |
Dm |
Ed7 |
FM7 |
Gm7 |
Am7 |
BbM7 |
C7 |
Dm7 |
E#m/A5 |
F6 |
|
A7 |
Bb6 |
|
|
|
 |
Key of Gb Major / Eb Minor
 |
Gb |
Abm |
Bbm |
Cb |
Db |
Ebm |
Fd7 |
GbM7 |
Abm7 |
Bbm7 |
CbM7 |
Db7 |
Ebm7 |
Fm/A5 |
Gb6 |
|
Bb7 |
Cb6 |
|
|
|
 |
Key of G Major / E Minor
 |
G |
Am |
Bm |
C |
D |
Em |
F#d7 |
GM7 |
Am7 |
Bm7 |
CM7 |
D7 |
Em7 |
F#m/A5 |
G6 |
|
B7 |
C6 |
|
|
|
 |
Key of Ab Major / F Minor
 |
Ab |
Bbm |
Cm |
Db |
Eb |
Fm |
Gd7 |
AbM7 |
Bbm7 |
Cm7 |
DbM7 |
Eb7 |
Fm7 |
Gm/A5 |
Ab6 |
|
C7 |
Db6 |
|
|
|
 |
Key of A Major / F# Minor
 |
A |
Bm |
C#m |
D |
E |
F#m |
G#d7 |
AM7 |
Bm7 |
C#m7 |
DM7 |
E7 |
F#m7 |
G#m/A5 |
A6 |
|
C#7 |
D6 |
|
|
|
 |
Key of Bb / G Minor
 |
Bb |
Cm |
Dm |
Eb |
F |
Gm |
Ad7 |
BbM7 |
Cm7 |
Dm7 |
EbM7 |
F7 |
Gm7 |
Am/A5 |
Bb6 |
|
D7 |
Eb6 |
|
|
|
 |
Key of B / G# Minor
 |
B |
C#m |
D#m |
E |
F# |
G#m |
A#d7 |
BM7 |
C#m7 |
D#m7 |
EM7 |
F#7 |
G#m7 |
A#m/A5 |
B6 |
|
D#7 |
E6 |
|
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We will take this opportunity to mention briefly that the Nashville Numbering System will help
you recognize and play chords in the diatonic scale, but what if you hear a chord that does not fit in the
harmonic scale, or what if the key changes in the middle of the song? We will address this more in depth in
future lessons, but the short answer is this: When a musician borrows a chord from outside the scale, (and if
they know what they are doing, by not totally losing the rest of us), then we call that a chromatic chord.
Chromatic chords are used to add color. If this is the case, we note the chromatic chord, and move on with the
rest of the music that remains withing the safe harbor of the harmonic scale. If the key changes entirely,
we can simply take the two stars from above belonging to each key, and chain them together.
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